On the current tour, Kani performs with the prolific South African actor Michael Richard, who said the story uses King Lear's evolution to show how South Africa is also changing. The two characters run lines from Shakespeare's tragedy, accentuating Lear's grappling with death.Īnd they recite lines from "Julius Caesar", both from the original play and a translation into Kani's mother tongue of Xhosa, which he remembers performing in high school in 1959. "And that's how King Lear got inter woven into the story." "I suddenly found myself engrossed in the history of these two men, from opposite sides in one country, who see South Africa differently, but the only thing that would bring them together is their love of Shakespeare," he said. He's definitely created a theatre about theatre, with Shakespeare running through its veins. "I wanted to create something that would force the one not able to live without the other one," Kani said. The play he wrote tasks Lunga Kunene - an older, black, male nurse - with caring for an older white actor dying of liver cancer but desperate to survive long enough to accept the role of Shakespeare's "King Lear". "In 2018, I had the idea that the following year, we are going to celebrate 25 years of South Africa's democracy since the dawn of the new, non-racial, non-sexist rainbow nation," Kani told AFP. It's now resuming a South African tour that was interrupted by the pandemic's theatre closures. His latest production, "Kunene and the King", opened with the Royal Shakespeare Company and played on London's West End. When John Kani launched his acting career in the 1960s, the only stage he could find was an empty snake pit at a shuttered South African museum.
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